Mix where the film will be heard.
Fancy's Dolby Atmos stage, built for the format in 2021, handles theatrical and streaming mixes in stereo, 5.1, and Atmos, along with pre-mixes and review sessions.
Sound mix and audio post
Sound Mix and Audio Post
Bring a locked cut or turnover to Fancy for dialogue editorial, sound design, Foley, ADR, remote reviews, M&E stems, and final printmasters for stereo, 5.1, or Dolby Atmos.
Start a sound conversation
Dialogue, effects, and Foley prepped before the stage.
Dialogue editorial, sound design, ambience and background effects, and Foley happen ahead of the mix, so the printmaster session stays on the mix instead of the fixes.
Remote reviews and stems built into the schedule.
Remote mix reviews, M&E stems, and audio stem output and delivery are part of the workflow, so a mix arrives at picture and deliverables ready to go.
See the room
Tour the stage before you book.
