Mix where the film will be heard.
Fancy's Dolby Atmos stage, built for the format in 2021, handles theatrical and streaming mixes in stereo, 5.1, and Atmos, along with pre-mixes and review sessions.
Sound mix and audio post
Sound Mix and Audio Post
Mix your film or series at Fancy with dialogue editorial, sound design, Foley, M&E stems, and final printmasters for stereo, 5.1, and Dolby Atmos.
Start a sound conversationWhat this covers
From dialogue edit to final mix, in the room it ships from.
Bring a locked cut or a turnover. The audio team can take it through dialogue editorial, sound design, ambience and background effects, Foley, and ADR, then mix and deliver stereo, 5.1, or Dolby Atmos printmasters with M&E stems from the same stage.
Dialogue, effects, and Foley prepped before the stage.
Dialogue editorial, sound design, ambience and background effects, and Foley happen ahead of the mix, so the printmaster session stays on the mix instead of the fixes.
Remote reviews and stems built into the schedule.
Remote mix reviews, M&E stems, and audio stem output and delivery are part of the workflow, so a mix arrives at picture and deliverables ready to go.
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